1
00:00:12,520 --> 00:00:13,740
OLDER GEORGIA:
Have a good night.
2
00:00:13,840 --> 00:00:15,380
OLDER MILLIE: This is someone
who was very close...
3
00:00:15,480 --> 00:00:17,420
- (GEORGIA GASPS) Mick.
- ...to the '87 investigation.
4
00:00:17,520 --> 00:00:19,020
How long you been stalking me?
5
00:00:19,120 --> 00:00:21,380
Kate Reynolds is alive.
6
00:00:21,480 --> 00:00:23,060
I believe you've met
Deputy Commissioner Carrick.
7
00:00:23,160 --> 00:00:24,980
Did you assault Callum Parrish
this morning?
8
00:00:25,080 --> 00:00:27,220
He was about to enter
a crime scene.
9
00:00:27,320 --> 00:00:28,420
MICHAEL: You remember
'The Bone Gospel'?
10
00:00:28,520 --> 00:00:30,820
Evidence was taken
from the scene.
11
00:00:30,920 --> 00:00:32,340
That book is gone.
12
00:00:32,440 --> 00:00:34,940
It's real. It's Callum's.
13
00:00:35,040 --> 00:00:37,020
CALLUM: You've seen this before?
14
00:00:37,120 --> 00:00:39,460
It's very precious,
and now you're precious.
15
00:00:39,560 --> 00:00:41,060
I spoke to the hospital.
16
00:00:41,160 --> 00:00:42,900
I was clear Reynolds
was off-limits
17
00:00:43,000 --> 00:00:44,420
until we got
the psych report back.
18
00:00:44,520 --> 00:00:46,540
How did you know
there was something inside me?
19
00:00:46,640 --> 00:00:49,100
FRANKIE: I saw it.
Sometimes I can see things.
20
00:00:49,200 --> 00:00:52,580
Farah, that stuff, cut it out.
21
00:00:52,680 --> 00:00:54,460
YOUNGER GEORGIA: December 1950.
22
00:00:54,560 --> 00:00:57,460
She killed them, then herself.
23
00:00:57,560 --> 00:00:59,660
Harriet Clay, his mother.
24
00:00:59,760 --> 00:01:01,860
GEORGIA: What's that got to do
with Kate Reynolds?
25
00:01:01,960 --> 00:01:05,080
I'm telling you, there's no
evidence that she ever died.
26
00:01:06,760 --> 00:01:08,760
- (BLADE SLASHES)
- (GURGLES)
27
00:01:09,560 --> 00:01:11,500
(MILLIE GASPS)
28
00:01:11,600 --> 00:01:12,980
I'm gonna live.
29
00:01:13,080 --> 00:01:15,080
We need to fix this, you and me.
30
00:01:16,680 --> 00:01:18,580
(FOREIGN LANGUAGE OVER RADIO)
31
00:01:18,680 --> 00:01:20,500
(RADIO STATIC)
32
00:01:20,600 --> 00:01:21,740
(SACRED SONG OVER RADIO)
33
00:01:21,840 --> 00:01:23,740
(RADIO STATIC)
34
00:01:23,840 --> 00:01:26,300
- (FOREIGN LANGUAGE OVER RADIO)
- (SACRED SONG OVER RADIO)
35
00:01:26,400 --> 00:01:29,060
(FOREIGN LANGUAGE OVER RADIO)
36
00:01:29,160 --> 00:01:32,420
(MANHATTAN TRANSFER SINGS)
? Long
37
00:01:32,520 --> 00:01:35,620
? Distance
38
00:01:35,720 --> 00:01:39,540
? Long distance
39
00:01:39,640 --> 00:01:42,980
? Give me
40
00:01:43,080 --> 00:01:48,800
? Hea...
41
00:01:50,840 --> 00:01:52,020
- ? ..ven
- ? Two, three
42
00:01:52,120 --> 00:01:54,420
- ? Oh, operator
- ? Operator
43
00:01:54,520 --> 00:01:56,500
- ? Information
- ? Information
44
00:01:56,600 --> 00:01:58,340
- ? Give me Jesus
- ? Give me Jesus
45
00:01:58,440 --> 00:01:59,380
? On the line
46
00:01:59,480 --> 00:02:02,260
- ? Oh, operator
- ? Operator
47
00:02:02,360 --> 00:02:04,060
- ? Information
- ? Information
48
00:02:04,160 --> 00:02:06,140
- ? I'd like to speak to
- ? Let me speak to
49
00:02:06,240 --> 00:02:08,140
- ? A friend of mine
- ? A friend of mine
50
00:02:08,240 --> 00:02:10,540
? Oh, prayer is the number
51
00:02:10,640 --> 00:02:12,620
? Faith is the exchange
52
00:02:12,720 --> 00:02:14,220
? Heaven is the street
53
00:02:14,320 --> 00:02:16,140
? And Jesus is his name
54
00:02:16,240 --> 00:02:18,140
- ? Oh, operator
- ? Operator
55
00:02:18,240 --> 00:02:19,860
- ? Information
- ? Information
56
00:02:19,960 --> 00:02:23,220
- ? Please give me Jesus
- ? Give me Jesus on the line
57
00:02:23,320 --> 00:02:26,340
- ? Whoa, whoa, operator
- ? Operator
58
00:02:26,440 --> 00:02:27,580
- ? Information
- ? Information
59
00:02:27,680 --> 00:02:30,220
- ? Ooh! Tell my why
- ? Tell me why
60
00:02:30,320 --> 00:02:32,140
- ? Whoa, yeah
? This is taking so long
61
00:02:32,240 --> 00:02:34,140
- ? Operator
- ? Operator
62
00:02:34,240 --> 00:02:36,100
- ? Information
- ? Information
63
00:02:36,200 --> 00:02:38,740
? Don't try to tell me
what number to call
64
00:02:38,840 --> 00:02:40,260
- ? What number to call... ?
- (POOL BALLS CLACK)
65
00:02:40,360 --> 00:02:42,060
? My mother used this number
66
00:02:42,160 --> 00:02:44,020
? When I was really small
67
00:02:44,120 --> 00:02:45,620
? And every time
she dialled... ?
68
00:02:45,720 --> 00:02:47,700
(POOL BALLS CLACK)
69
00:02:47,800 --> 00:02:49,660
Anything? Anything at all?
70
00:02:49,760 --> 00:02:51,060
- Mm-mm.
- Nothing?
71
00:02:51,160 --> 00:02:52,060
Well, not nothing,
72
00:02:52,160 --> 00:02:53,620
Found a lovely broadband signal
73
00:02:53,720 --> 00:02:55,260
from a quasar in Virgo, 3C.
74
00:02:55,360 --> 00:02:57,700
It's in the report.
Faine will get a kick out of it.
75
00:02:57,800 --> 00:03:00,260
Well, he's not gonna get 'em
'cause all the comms are down.
76
00:03:00,360 --> 00:03:01,340
- All of them?
- Yeah.
77
00:03:01,440 --> 00:03:02,580
Telefax, radio,
78
00:03:02,680 --> 00:03:05,540
nothing's getting out
and nothing is getting in.
79
00:03:05,640 --> 00:03:08,740
I've checked the gear, there's
nothing mechanically wrong.
80
00:03:08,840 --> 00:03:10,340
Besides the fact
they don't work.
81
00:03:10,440 --> 00:03:11,740
Piss off. I'm fuckin'...
82
00:03:11,840 --> 00:03:14,020
No. No-one's doubting
your expertise.
83
00:03:14,120 --> 00:03:15,180
This prick is,
and I'm serious...
84
00:03:15,280 --> 00:03:16,580
- No, no, no, come on.
- ...it's annoying me now.
85
00:03:16,680 --> 00:03:17,700
- Paul...
- No, no, I'm done with it.
86
00:03:17,800 --> 00:03:20,820
...can we please turn
the air conditioning up?
87
00:03:20,920 --> 00:03:22,860
The heat is a fucking killer.
88
00:03:22,960 --> 00:03:25,980
How did the comms
just stop working?
89
00:03:26,080 --> 00:03:28,860
- How does that happen?
- Solar storm?
90
00:03:28,960 --> 00:03:30,020
SIMON: Happened in '72.
91
00:03:30,120 --> 00:03:31,500
Wiped out radio comms
in northern Canada.
92
00:03:31,600 --> 00:03:33,660
GARY: No, no, it's Tolliver,
can't you see?
93
00:03:33,760 --> 00:03:35,340
He's done something.
94
00:03:35,440 --> 00:03:37,980
Everything was fine
until he arrived.
95
00:03:38,080 --> 00:03:40,980
He gets dropped here
a month ago,
96
00:03:41,080 --> 00:03:44,020
no warning, no explanation.
97
00:03:44,120 --> 00:03:45,780
Who is this guy?
98
00:03:45,880 --> 00:03:48,140
And why is he stacking rocks?
99
00:03:48,240 --> 00:03:50,060
There's something wrong
with him.
100
00:03:50,160 --> 00:03:52,340
- RAY: I apologise.
- Ah!
101
00:03:52,440 --> 00:03:54,180
(UNSETTLING MUSIC)
102
00:03:54,280 --> 00:03:55,620
Ray, we were, um, just...
103
00:03:55,720 --> 00:03:59,080
It's alright. I understand
the imposition. It's not ideal.
104
00:04:01,400 --> 00:04:03,700
I'm grateful to all of you.
105
00:04:03,800 --> 00:04:05,700
- I'll be done soon.
- Yep. (CLEARS THROAT)
106
00:04:05,800 --> 00:04:07,800
And then I'll be gone.
107
00:04:10,520 --> 00:04:12,880
(UNSETTLING MUSIC)
108
00:04:23,160 --> 00:04:24,300
(RADIO STATIC)
109
00:04:24,400 --> 00:04:25,780
KATE: Radio check, radio check.
110
00:04:25,880 --> 00:04:27,860
This is Parrish
Research Station. Over.
111
00:04:27,960 --> 00:04:30,100
(STATIC HISSES)
112
00:04:30,200 --> 00:04:31,420
Radio check, radio check.
113
00:04:31,520 --> 00:04:33,920
This is Parrish Research
Station. Over.
114
00:04:35,000 --> 00:04:37,000
(STATIC STUTTERS)
115
00:04:38,400 --> 00:04:41,580
Oh, this fuckin' piece of shit!
116
00:04:41,680 --> 00:04:44,940
- (ANTON SPEAKS RUSSIAN)
- (KATE REPEATS RUSSIAN PHRASE)
117
00:04:45,040 --> 00:04:46,300
Good, Katyushka.
118
00:04:46,400 --> 00:04:49,140
Now you know how to say
"this fuckin' piece of shit".
119
00:04:49,240 --> 00:04:50,660
Hmm. Handy.
120
00:04:50,760 --> 00:04:52,760
(RADIO STATIC)
121
00:05:00,920 --> 00:05:03,700
(LAUGHS) Do you want a beer?
122
00:05:03,800 --> 00:05:05,900
- Spasibo.
- (ANTON GRUNTS)
123
00:05:06,000 --> 00:05:08,000
- (ANTON GRUNTS)
- (BOTTLES CLINK)
124
00:05:12,120 --> 00:05:14,280
This is not a solar storm.
125
00:05:16,360 --> 00:05:17,820
Yeah, I know.
126
00:05:17,920 --> 00:05:19,920
ANTON: Then why did you say
it might be?
127
00:05:22,480 --> 00:05:24,140
What happens if they panic,
Anton?
128
00:05:24,240 --> 00:05:26,240
We're completely cut off.
129
00:05:27,120 --> 00:05:28,460
What happens if Boyd loses it?
130
00:05:28,560 --> 00:05:30,420
Is Edgars gonna
keep him in line?
131
00:05:30,520 --> 00:05:32,660
Are you...? Me? (SCOFFS)
132
00:05:32,760 --> 00:05:34,760
(UNSETTLING MUSIC)
133
00:05:38,560 --> 00:05:41,460
(DOOR SQUEAKS AND SLAMS)
134
00:05:41,560 --> 00:05:45,700
ANTON: You know the case
Tolliver carries around?
135
00:05:45,800 --> 00:05:47,800
There's a book in it.
136
00:05:49,240 --> 00:05:51,020
You've seen inside that case?
137
00:05:51,120 --> 00:05:53,900
I didn't mean to snoop.
I'm not a snooper.
138
00:05:54,000 --> 00:05:56,840
But yes, yes, I...I saw it.
139
00:05:57,840 --> 00:05:59,840
Why does he have
a book locked up?
140
00:06:00,760 --> 00:06:02,300
- (SWITCHES CLICK)
- (EQUIPMENT POWERS UP)
141
00:06:02,400 --> 00:06:04,620
(WHITE NOISE HISSES SOFTLY)
142
00:06:04,720 --> 00:06:06,780
ANTON: And those rocks
he stacks.
143
00:06:06,880 --> 00:06:09,020
I think they are markers.
144
00:06:09,120 --> 00:06:12,580
Tolliver is marking something.
145
00:06:12,680 --> 00:06:15,320
- (UNSETTLING MUSIC)
- (KEYS JANGLE)
146
00:06:26,920 --> 00:06:28,380
KATE: Well, he's creeping
everyone out.
147
00:06:28,480 --> 00:06:30,480
Someone should talk to him.
148
00:06:33,680 --> 00:06:35,800
It's got to be me, hasn't it?
149
00:06:37,280 --> 00:06:39,280
- Anton.
- Huh?
150
00:06:40,880 --> 00:06:44,300
You know, Boyd is right,
Katyushka.
151
00:06:44,400 --> 00:06:46,820
Tolliver has done something.
152
00:06:46,920 --> 00:06:49,900
There is something wrong
with this place.
153
00:06:50,000 --> 00:06:52,080
(UNSETTLING MUSIC)
154
00:06:54,600 --> 00:06:56,340
KATE:
Get out of the heat, Anton.
155
00:06:56,440 --> 00:06:58,440
I'll talk to Tolliver.
156
00:07:04,080 --> 00:07:06,080
(DOOR SQUEAKS)
157
00:07:08,480 --> 00:07:10,480
(DOOR SLAMS)
158
00:07:13,680 --> 00:07:15,680
- (EQUIPMENT HUMS)
- (FOOTSTEPS APPROACH)
159
00:07:20,080 --> 00:07:21,980
Thought you might want a drink.
160
00:07:22,080 --> 00:07:24,080
Pretty hot.
161
00:07:24,920 --> 00:07:27,920
I mean, the beer's hot too,
but it's beer, so...
162
00:07:42,320 --> 00:07:44,320
Radio's still down.
163
00:07:45,520 --> 00:07:46,700
Think Boyd might lose it
164
00:07:46,800 --> 00:07:49,380
if he can't listen to
the cricket after Christmas.
165
00:07:49,480 --> 00:07:51,480
(KATE CHUCKLES)
166
00:07:56,800 --> 00:07:59,240
Hey, um, listen, Ray...
167
00:08:01,480 --> 00:08:03,740
...I know you haven't
been here long,
168
00:08:03,840 --> 00:08:06,000
but it gets easier.
169
00:08:07,240 --> 00:08:08,500
The isolation.
170
00:08:08,600 --> 00:08:11,240
- This place.
- There isn't a place anymore.
171
00:08:12,600 --> 00:08:14,340
- What's that?
- No place.
172
00:08:14,440 --> 00:08:16,440
No time.
173
00:08:18,320 --> 00:08:20,260
You feel it.
174
00:08:20,360 --> 00:08:21,900
Right.
175
00:08:22,000 --> 00:08:24,000
RAY: It's true.
176
00:08:25,240 --> 00:08:28,180
The barrier between this
and the other
177
00:08:28,280 --> 00:08:30,440
is paper-thin here now.
178
00:08:32,760 --> 00:08:34,760
There is no here.
179
00:08:35,640 --> 00:08:37,640
There is no now.
180
00:08:40,240 --> 00:08:41,700
It's coming back.
181
00:08:41,800 --> 00:08:44,260
It's happened before
and now it's coming back.
182
00:08:44,360 --> 00:08:46,720
W-what's coming back?
183
00:08:49,920 --> 00:08:52,060
"It sleepeth
in the darkness, dead,
184
00:08:52,160 --> 00:08:54,640
"with hunger of unended years."
185
00:08:56,360 --> 00:08:58,360
OK.
186
00:09:00,760 --> 00:09:04,400
Listen, um, I think you should
probably get some sleep.
187
00:09:08,400 --> 00:09:12,120
(UNSETTLING MUSIC)
188
00:09:22,800 --> 00:09:24,800
(UNEARTHLY SIGHING)
189
00:09:30,840 --> 00:09:33,000
(UNEARTHLY SIGHING)
190
00:09:34,280 --> 00:09:36,860
(UNSETTLING MUSIC)
191
00:09:36,960 --> 00:09:40,800
(HIGH-PITCHED TONE)
192
00:09:44,240 --> 00:09:46,560
(DEEP PULSING)
193
00:09:48,720 --> 00:09:50,720
- (MYSTERIOUS MUSIC)
- (OBJECTS CLINK)
194
00:09:56,720 --> 00:09:58,720
(KATE SIGHS)
195
00:10:01,040 --> 00:10:02,700
(SOFTLY) Oh, come on, come on.
196
00:10:02,800 --> 00:10:04,800
Come on.
197
00:10:07,560 --> 00:10:09,560
(SIGHS)
198
00:10:10,200 --> 00:10:12,100
(UNEARTHLY SIGHING)
199
00:10:12,200 --> 00:10:14,180
(LIGHTS TINKLE)
200
00:10:14,280 --> 00:10:16,420
(THUDDING)
201
00:10:16,520 --> 00:10:19,360
(UNEARTHLY SIGHING)
202
00:10:21,640 --> 00:10:22,940
Anton?
203
00:10:23,040 --> 00:10:26,200
(UNEARTHLY SIGHING)
204
00:10:29,800 --> 00:10:32,400
- (UNEARTHLY SIGHING)
- (THUDDING)
205
00:10:34,920 --> 00:10:36,920
Boyd?
206
00:10:43,920 --> 00:10:46,520
(UNSETTLING MUSIC)
207
00:10:50,120 --> 00:10:52,120
(BREATHES SHARPLY)
208
00:10:53,080 --> 00:10:56,460
(STATIC CRACKLES, LIGHTS TINKLE)
209
00:10:56,560 --> 00:10:59,680
(SUSPENSEFUL MUSIC)
210
00:11:07,920 --> 00:11:09,920
(GASPS)
211
00:11:11,680 --> 00:11:12,580
YOUNGER GEORGIA: Kate?
212
00:11:12,680 --> 00:11:14,700
(DISTURBING MUSIC)
213
00:11:14,800 --> 00:11:16,020
KATE: I...
214
00:11:16,120 --> 00:11:17,500
Uh...
215
00:11:17,600 --> 00:11:19,880
(BREATHES HEAVILY)
216
00:11:21,400 --> 00:11:23,960
(DISTURBING MUSIC)
217
00:11:27,720 --> 00:11:29,780
(BREATHES SHAKILY)
218
00:11:29,880 --> 00:11:31,880
(WRENCH THUDS)
219
00:11:33,680 --> 00:11:36,080
- (LIGHTER FLICKS)
- (INSECTS CHIRP)
220
00:11:43,960 --> 00:11:45,260
(RADIO BEEPS)
221
00:11:45,360 --> 00:11:47,780
(STATIONS SWITCH RAPIDLY)
222
00:11:47,880 --> 00:11:50,880
(INDISTINCT SPEECH AND MUSIC
CRACKLE)
223
00:11:57,240 --> 00:11:59,700
(METAL CLUNKS AND CREAKS)
224
00:11:59,800 --> 00:12:01,840
(MECHANISM WHIRRS)
225
00:12:03,800 --> 00:12:06,180
(STATIC CRACKLES)
226
00:12:06,280 --> 00:12:08,440
(ELECTRONIC BEEPING)
227
00:12:09,840 --> 00:12:12,160
(DEEP ELECTRONIC HUMMING
AND PULSING)
228
00:12:13,800 --> 00:12:16,680
(UNSETTLING MUSIC)
229
00:12:31,680 --> 00:12:34,380
Ray, did you catch whatever
the fuck that...
230
00:12:34,480 --> 00:12:35,620
(TAPE TICKS)
231
00:12:35,720 --> 00:12:37,140
Ray. Ray!
232
00:12:37,240 --> 00:12:38,260
Ray... Oh, my...
233
00:12:38,360 --> 00:12:40,940
Oh, uh, um, Ray.
234
00:12:41,040 --> 00:12:43,020
Ray, can you hear me?
235
00:12:43,120 --> 00:12:45,120
(BREATHES HEAVILY)
236
00:12:45,480 --> 00:12:47,800
(UNSETTLING MUSIC)
237
00:12:49,280 --> 00:12:51,380
- KATE: Put him on the couch.
- SIMON: Was it heat stroke?
238
00:12:51,480 --> 00:12:53,500
- He was out there for two hours.
- Just put him down here.
239
00:12:53,600 --> 00:12:55,780
ANTON: Oh, this is not
a heat stroke.
240
00:12:55,880 --> 00:12:57,860
We need to take him to a doctor.
241
00:12:57,960 --> 00:12:58,980
KATE: I'll drive him.
242
00:12:59,080 --> 00:13:01,380
- Jeep doesn't work.
- What's wrong with it?
243
00:13:01,480 --> 00:13:04,460
(SIGHS) As of a week ago,
it won't start.
244
00:13:04,560 --> 00:13:05,980
Uh, and you knew this?
245
00:13:06,080 --> 00:13:07,980
Yeah, look, I thought it was
best not to concern anyone.
246
00:13:08,080 --> 00:13:09,220
- Gee.
- Concerned?
247
00:13:09,320 --> 00:13:11,140
Well, we're pretty fucking
concerned now, Paul.
248
00:13:11,240 --> 00:13:12,660
- Boyd, stand back.
- He's awake.
249
00:13:12,760 --> 00:13:15,220
KATE: Hey, mate.
Ray, are you OK?
250
00:13:15,320 --> 00:13:16,740
- What's wrong?
- It hurts...
251
00:13:16,840 --> 00:13:18,020
- What hurts?
- It hurts.
252
00:13:18,120 --> 00:13:19,860
- OK, yeah, just stay calm.
- It hurts. You need to...
253
00:13:19,960 --> 00:13:21,140
- Alright, what's wrong?
- ...help me.
254
00:13:21,240 --> 00:13:23,180
- Yep. Just stay calm.
- You really need to help me.
255
00:13:23,280 --> 00:13:24,460
- Hey, hey.
- Get it out.
256
00:13:24,560 --> 00:13:25,740
- (ALL TALK AT ONCE)
- RAY: Get it out!
257
00:13:25,840 --> 00:13:27,340
- Ray!
- You need to get it out of me!
258
00:13:27,440 --> 00:13:29,440
You need to get it out...
259
00:13:37,840 --> 00:13:39,060
(ANTON GRUNTS)
260
00:13:39,160 --> 00:13:41,160
(SPITS)
261
00:13:42,200 --> 00:13:43,500
(SPITS)
262
00:13:43,600 --> 00:13:45,600
(MUTTERS)
263
00:13:46,200 --> 00:13:47,260
(SNIFFS)
264
00:13:47,360 --> 00:13:49,360
(INTRIGUING MUSIC)
265
00:13:51,560 --> 00:13:53,560
(SCRAPING)
266
00:13:54,600 --> 00:13:56,140
(FOOTSTEPS APPROACH)
267
00:13:56,240 --> 00:13:59,300
It's not the battery,
it's not the fuel line.
268
00:13:59,400 --> 00:14:01,180
- So what is it?
- ANTON: I don't know.
269
00:14:01,280 --> 00:14:02,220
It could be anything.
270
00:14:02,320 --> 00:14:03,860
It'll take me a while
to work it out.
271
00:14:03,960 --> 00:14:05,780
GARY: Fuck that. Is there
any way we could just walk?
272
00:14:05,880 --> 00:14:07,780
Like, we get all the water
we can and we just go.
273
00:14:07,880 --> 00:14:11,740
Yeah, we just go and walk?
Walk?! Walk for 300km?
274
00:14:11,840 --> 00:14:14,020
GARY: I know for a fact
there's an old mining station
275
00:14:14,120 --> 00:14:15,460
about 60km south of here.
276
00:14:15,560 --> 00:14:17,420
It might have,
I don't know, radios
277
00:14:17,520 --> 00:14:19,300
or vehicles or something,
like, 60 kays...
278
00:14:19,400 --> 00:14:22,940
Gary, listen to me.
It will kill you. You will die.
279
00:14:23,040 --> 00:14:26,300
Do you understand how fucking
dangerous this situation is?
280
00:14:26,400 --> 00:14:27,900
PAUL: There's no danger.
281
00:14:28,000 --> 00:14:30,420
We're fine. We've got
a man who's exhausted.
282
00:14:30,520 --> 00:14:32,520
We'll deal with it
in the morning.
283
00:14:33,480 --> 00:14:35,100
Someone needs to
stay up with him.
284
00:14:35,200 --> 00:14:37,060
Ah. I'll do it.
285
00:14:37,160 --> 00:14:40,660
- You need sleep.
- We all need sleep.
286
00:14:40,760 --> 00:14:42,760
PAUL: Alright. We alright?
287
00:14:54,520 --> 00:14:58,080
(UNSETTLING MUSIC)
288
00:15:29,840 --> 00:15:33,000
(ENIGMATIC SYNTH MUSIC)
289
00:16:16,000 --> 00:16:19,840
(DISTURBING MUSIC)
290
00:16:21,600 --> 00:16:25,440
(DISTURBING MUSIC INTENSIFIES)
291
00:16:34,160 --> 00:16:37,280
(DISTANT WHIRRING)
292
00:17:01,800 --> 00:17:03,800
Where's Tolliver?
293
00:17:04,520 --> 00:17:06,460
- Ray?
- ANTON: Huh?
294
00:17:06,560 --> 00:17:07,460
Ray!
295
00:17:07,560 --> 00:17:09,560
(ANTON GRUNTS)
296
00:17:12,000 --> 00:17:14,040
(ANTON AND KATE GRUNT
WITH EXERTION)
297
00:17:19,320 --> 00:17:21,860
Hey! Hey!
298
00:17:21,960 --> 00:17:23,960
Hey!
299
00:17:29,800 --> 00:17:30,820
They took him.
300
00:17:30,920 --> 00:17:32,580
It was a Parrish chopper.
301
00:17:32,680 --> 00:17:34,580
You were supposed to
stay up with him.
302
00:17:34,680 --> 00:17:37,420
OK, OK, they're coming back
for us. They must be.
303
00:17:37,520 --> 00:17:38,660
Maybe they couldn't get a plane
304
00:17:38,760 --> 00:17:40,300
so they're choppering us out
one by one.
305
00:17:40,400 --> 00:17:42,400
ANTON: How did they know
that Tolliver was sick?
306
00:17:45,800 --> 00:17:47,820
It's two days to Christmas, alright?
307
00:17:47,920 --> 00:17:50,460
We've got radio calls
with our families scheduled.
308
00:17:50,560 --> 00:17:53,380
When we miss those, they'll
contact the police in Barrawin.
309
00:17:53,480 --> 00:17:54,420
Someone will come.
310
00:17:54,520 --> 00:17:57,040
Have faith.
We just need to stay calm.
311
00:17:59,320 --> 00:18:02,260
{\an8}(CHOIR SINGS) ? Ding dong,
merrily on high
312
00:18:02,360 --> 00:18:05,180
{\an8}? In heav'n the bells
are ringing
313
00:18:05,280 --> 00:18:08,220
{\an8}? Ding dong, verily the sky
314
00:18:08,320 --> 00:18:11,500
? Is riv'n with angel singing
315
00:18:11,600 --> 00:18:17,320
? Gloria
316
00:18:20,440 --> 00:18:24,540
? Hosanna in excelsis
317
00:18:24,640 --> 00:18:30,060
? Gloria... ?
318
00:18:30,160 --> 00:18:33,300
(UNSETTLING MUSIC)
319
00:18:33,400 --> 00:18:36,840
(FADES) ? Hosanna
in excelsis... ?
320
00:18:39,760 --> 00:18:41,760
(GRUNTS)
321
00:18:44,920 --> 00:18:47,440
(UNSETTLING MUSIC CONTINUES)
322
00:18:54,400 --> 00:18:55,660
(GRUNTS)
323
00:18:55,760 --> 00:18:57,760
(MUTTERS IN RUSSIAN)
324
00:18:59,960 --> 00:19:01,940
- (STARTER MOTOR LABOURS)
- (ANTON GRUNTS)
325
00:19:02,040 --> 00:19:04,040
- (MOTOR STOPS)
- Oh!
326
00:19:04,480 --> 00:19:06,480
(GARY GRUNTS)
327
00:19:13,280 --> 00:19:16,840
(UNSETTLING MUSIC)
328
00:19:20,800 --> 00:19:22,800
(ANTON SIGHS AND GRUNTS)
329
00:19:24,240 --> 00:19:26,240
(GARY GRUNTS)
330
00:19:31,680 --> 00:19:33,980
(MOTOR STARTS AND STOPS)
331
00:19:34,080 --> 00:19:36,080
(MUTTERS IN RUSSIAN)
332
00:19:38,040 --> 00:19:39,180
Fuck you!
333
00:19:39,280 --> 00:19:42,700
(YELLS IN RUSSIAN)
334
00:19:42,800 --> 00:19:45,400
Whew. (BREATHES HEAVILY)
335
00:19:49,000 --> 00:19:51,000
(KNOCK AT DOOR)
336
00:19:53,560 --> 00:19:55,560
Come in.
337
00:19:57,320 --> 00:20:00,860
It must be the starter motor.
338
00:20:00,960 --> 00:20:03,020
I've tried everything else.
339
00:20:03,120 --> 00:20:05,780
- If it's not...
- KATE: So...
340
00:20:05,880 --> 00:20:07,780
...can we fix it?
341
00:20:07,880 --> 00:20:10,420
Maybe we can pull it apart,
342
00:20:10,520 --> 00:20:13,240
clean it out, then try.
343
00:20:15,520 --> 00:20:17,660
Well, that's what we do.
344
00:20:17,760 --> 00:20:19,760
Paul, what the hell
are we gonna do?
345
00:20:20,520 --> 00:20:22,780
- They're coming back for us.
- SIMON: They're not!
346
00:20:22,880 --> 00:20:24,880
We need to leave.
347
00:20:25,680 --> 00:20:28,480
PAUL: What we need
is to keep working.
348
00:20:30,160 --> 00:20:32,020
These are the reports
from Tolliver's last shift.
349
00:20:32,120 --> 00:20:34,120
PAUL: Uh-huh.
350
00:20:35,760 --> 00:20:37,760
What's this?
351
00:20:38,760 --> 00:20:40,380
Some sort of spike.
352
00:20:40,480 --> 00:20:43,100
Have you seen it? It's enormous.
353
00:20:43,200 --> 00:20:44,140
Weird.
354
00:20:44,240 --> 00:20:46,340
PAUL: Maybe he recorded it.
355
00:20:46,440 --> 00:20:48,440
SIMON: Maybe.
356
00:20:52,120 --> 00:20:54,120
(SWITCHES CLICK)
357
00:20:56,760 --> 00:21:00,000
(TAPE WHIRRS)
358
00:21:05,320 --> 00:21:08,420
(STATIC PULSES)
359
00:21:08,520 --> 00:21:10,680
(ENIGMATIC SOUNDSCAPE)
360
00:21:12,040 --> 00:21:14,040
(UNEARTHLY MOANING)
361
00:21:18,640 --> 00:21:20,540
(UNEARTHLY MOANING)
362
00:21:20,640 --> 00:21:23,620
(UNEARTHLY GROWLING)
363
00:21:23,720 --> 00:21:27,340
- (STATIC INTENSIFIES)
- (ENIGMATIC SOUNDSCAPE)
364
00:21:27,440 --> 00:21:29,760
(STATIC DISTORTS)
365
00:21:30,760 --> 00:21:31,820
(ANTON SIGHS)
366
00:21:31,920 --> 00:21:34,220
There's so much sand and crap
in this thing.
367
00:21:34,320 --> 00:21:36,320
This fucking place.
368
00:21:39,400 --> 00:21:40,820
Pass me that.
369
00:21:40,920 --> 00:21:43,700
(OMINOUS PULSING)
370
00:21:43,800 --> 00:21:44,780
(ANTON GRUNTS)
371
00:21:44,880 --> 00:21:48,000
(STATIC HOWLS)
372
00:21:49,880 --> 00:21:51,960
(UNEARTHLY SHRIEKING)
373
00:21:54,680 --> 00:21:56,680
(UNEARTHLY SHRIEKING)
374
00:21:58,520 --> 00:22:01,880
(INTENSE MUSIC)
375
00:22:05,040 --> 00:22:09,400
(SACRED SONG)
376
00:22:12,920 --> 00:22:14,920
(ROARS)
377
00:22:16,800 --> 00:22:18,960
(GRUNTS)
378
00:22:22,280 --> 00:22:24,860
(GRUNTS AND MUTTERS)
379
00:22:24,960 --> 00:22:26,140
Arggh! You...
380
00:22:26,240 --> 00:22:27,540
Oh!
381
00:22:27,640 --> 00:22:30,360
(UNSETTLING MUSIC)
382
00:22:34,880 --> 00:22:37,780
(GRUNTS AND MUTTERS IN RUSSIAN)
383
00:22:37,880 --> 00:22:39,780
- The wrong fucking wrench!
- Hey, hey, hey.
384
00:22:39,880 --> 00:22:41,620
Ooh.
385
00:22:41,720 --> 00:22:43,720
(GRUNTS AND BREATHES HEAVILY)
386
00:22:49,080 --> 00:22:50,060
(GULPS NOISILY)
387
00:22:50,160 --> 00:22:52,160
(PAUL MURMURS INDISTINCTLY
NEARBY)
388
00:22:56,600 --> 00:22:58,600
(PAUL CONTINUES INDISTINCTLY)
389
00:23:07,640 --> 00:23:09,620
(PAUL MURMURS INDISTINCTLY)
390
00:23:09,720 --> 00:23:11,780
...of the whole world.
391
00:23:11,880 --> 00:23:13,880
(FOOTSTEPS SHUFFLE)
392
00:23:14,600 --> 00:23:16,600
Paul?
393
00:23:17,360 --> 00:23:19,500
Paul!
394
00:23:19,600 --> 00:23:21,180
We think we know
how to fix the jeep.
395
00:23:21,280 --> 00:23:23,180
PAUL: Take it apart,
it becomes clearer.
396
00:23:23,280 --> 00:23:24,860
Yeah, that's true.
397
00:23:24,960 --> 00:23:27,940
Parts pretending to be whole,
that's all it is.
398
00:23:28,040 --> 00:23:29,500
(SUSPENSEFUL MUSIC)
399
00:23:29,600 --> 00:23:31,540
PAUL: It feels better
to see it clearly.
400
00:23:31,640 --> 00:23:33,460
- Paul?
- As it is.
401
00:23:33,560 --> 00:23:35,700
- (BONES CRUNCH)
- (ANTON GASPS)
402
00:23:35,800 --> 00:23:37,820
- (KATE EXCLAIMS)
- (SACRED SONG)
403
00:23:37,920 --> 00:23:39,920
(CALMLY) May I show you?
404
00:23:43,280 --> 00:23:46,080
You have to see.
You have to understand.
405
00:23:47,160 --> 00:23:49,060
Your... your room, now.
406
00:23:49,160 --> 00:23:51,980
(DISTURBING MUSIC)
407
00:23:52,080 --> 00:23:53,260
- GARY: Edgars!
- (DOOR SLAMS)
408
00:23:53,360 --> 00:23:55,380
I'm done, man. I'm out!
409
00:23:55,480 --> 00:23:56,380
We're done!
410
00:23:56,480 --> 00:23:58,100
I'm done. I'm gone. I'm gone.
411
00:23:58,200 --> 00:23:59,580
Where's Edgars?
412
00:23:59,680 --> 00:24:03,480
(DISTURBING MUSIC)
413
00:24:04,640 --> 00:24:05,540
(LOCKS DOOR)
414
00:24:05,640 --> 00:24:07,100
The bed.
The bed, the bed, the bed.
415
00:24:07,200 --> 00:24:08,700
(BOTH GRUNT)
416
00:24:08,800 --> 00:24:10,800
(METAL THUDS)
417
00:24:16,000 --> 00:24:18,620
(BOTH BREATHE HEAVILY)
418
00:24:18,720 --> 00:24:20,720
(LOUD THUD)
419
00:24:25,960 --> 00:24:27,060
(DOOR RATTLES)
420
00:24:27,160 --> 00:24:29,140
(SUSPENSEFUL MUSIC)
421
00:24:29,240 --> 00:24:31,420
(DOOR RATTLES)
422
00:24:31,520 --> 00:24:35,240
(PAUL INTONES INDISTINCTLY)
423
00:24:40,720 --> 00:24:42,140
- (LOUD THUD)
- (KATE SHRIEKS)
424
00:24:42,240 --> 00:24:46,400
(PAUL YELLS
AND POUNDS ON THE DOOR)
425
00:24:47,840 --> 00:24:50,500
(PAUL YELLS)
426
00:24:50,600 --> 00:24:53,880
(INTENSE MUSIC)
427
00:24:59,200 --> 00:25:00,340
(BREATHES HEAVILY)
428
00:25:00,440 --> 00:25:03,140
(STATIC DISTORTS)
429
00:25:03,240 --> 00:25:06,840
(SACRED SONG ECHOES)
430
00:25:11,880 --> 00:25:12,780
(CLOTHES HOIST CREAKS)
431
00:25:12,880 --> 00:25:16,460
(CROW CAWS IN DISTANCE)
432
00:25:16,560 --> 00:25:18,560
(DISTANT THUD)
433
00:25:20,400 --> 00:25:22,400
What's he doing out there?
434
00:25:25,160 --> 00:25:26,540
- Anton?
- He...
435
00:25:26,640 --> 00:25:29,880
He's shut
the air conditioning off.
436
00:25:35,120 --> 00:25:36,380
We're getting out of here.
437
00:25:36,480 --> 00:25:38,660
(SPEAKS RUSSIAN)
438
00:25:38,760 --> 00:25:42,380
Frying pans and fires,
Katyushka.
439
00:25:42,480 --> 00:25:44,700
(GRUNTS) OK.
440
00:25:44,800 --> 00:25:45,700
Will this work?
441
00:25:45,800 --> 00:25:46,940
(ANTON GASPS)
442
00:25:47,040 --> 00:25:47,940
Anton.
443
00:25:48,040 --> 00:25:48,940
Anton?
444
00:25:49,040 --> 00:25:51,040
ANTON: Uh...
445
00:25:51,880 --> 00:25:54,300
I-I need my pills.
446
00:25:54,400 --> 00:25:56,940
- Where are they?
- (CHUCKLES)
447
00:25:57,040 --> 00:25:59,640
- In the... in the kitchen.
- (KATE CHUCKLES BLEAKLY)
448
00:26:05,520 --> 00:26:08,040
(UNEASY MUSIC)
449
00:26:23,040 --> 00:26:25,040
(KATE WHISPERS) No, no.
450
00:26:29,480 --> 00:26:31,480
(HIGH-PITCHED TONE)
451
00:26:34,600 --> 00:26:36,220
(DISTURBING MUSIC)
452
00:26:36,320 --> 00:26:37,340
(SACRED SONG)
453
00:26:37,440 --> 00:26:38,620
Run!
454
00:26:38,720 --> 00:26:41,600
(INTENSE MUSIC)
455
00:26:43,880 --> 00:26:46,220
(ANTON BREATHES HEAVILY)
456
00:26:46,320 --> 00:26:48,780
- Arggh! God!
- (ANTON BREATHES HEAVILY)
457
00:26:48,880 --> 00:26:50,100
KATE: Go, go, go, go, go!
458
00:26:50,200 --> 00:26:51,540
(ANTON BREATHES HEAVILY)
459
00:26:51,640 --> 00:26:53,420
(KATE GRUNTS)
460
00:26:53,520 --> 00:26:55,780
- (KATE CRIES OUT IN PAIN)
- ANTON: Come on, get in!
461
00:26:55,880 --> 00:26:57,880
Get in!
462
00:27:01,400 --> 00:27:03,480
(KATE GROANS)
463
00:27:04,720 --> 00:27:08,000
- Anton!
- Almost! Almost!
464
00:27:11,960 --> 00:27:13,960
- Now!
- (KATE WHIMPERS)
465
00:27:14,520 --> 00:27:16,600
(STARTER MOTOR LABOURS)
466
00:27:17,600 --> 00:27:18,580
Oh!
467
00:27:18,680 --> 00:27:20,680
(STARTER MOTOR LABOURS)
468
00:27:22,760 --> 00:27:23,940
- (ENGINE RUNS)
- Ah!
469
00:27:24,040 --> 00:27:25,060
Ahhh! (LAUGHS)
470
00:27:25,160 --> 00:27:26,660
- (ENGINE REVS)
- (LAUGHS)
471
00:27:26,760 --> 00:27:27,820
(ANTON LAUGHS)
472
00:27:27,920 --> 00:27:29,920
(KATE LAUGHS)
473
00:27:30,680 --> 00:27:32,260
- GARY: Ahhh!
- (ANTON GASPS)
474
00:27:32,360 --> 00:27:34,360
(KATE SCREAMS)
475
00:27:35,280 --> 00:27:37,280
- (ELECTRICAL BUZZING)
- (KATE SCREAMS)
476
00:27:38,040 --> 00:27:40,340
- (KATE WHIMPERS)
- ANTON: Gary. Gary.
477
00:27:40,440 --> 00:27:42,260
- You need to help me.
- ANTON: Gary...
478
00:27:42,360 --> 00:27:43,780
- Gary.
- GARY: You have to see.
479
00:27:43,880 --> 00:27:45,820
- Look. Look.
- ANTON: Gary.
480
00:27:45,920 --> 00:27:47,920
Oh, Jesus!
481
00:27:49,840 --> 00:27:51,220
Gary, what are you doing?
482
00:27:51,320 --> 00:27:52,820
Don't leave me with this!
483
00:27:52,920 --> 00:27:54,740
- Don't leave me with this.
- What are you doing?
484
00:27:54,840 --> 00:27:56,840
Gary.
485
00:27:57,280 --> 00:27:59,140
(GARY SOBS)
486
00:27:59,240 --> 00:28:01,660
You... (LAUGHS)
487
00:28:01,760 --> 00:28:03,260
You have to hear.
488
00:28:03,360 --> 00:28:05,840
You have to hear this.
You have to hear this.
489
00:28:06,880 --> 00:28:09,380
- (KATE WHIMPERS)
- I can't be here!
490
00:28:09,480 --> 00:28:11,820
I can't! I can't!
491
00:28:11,920 --> 00:28:13,340
- (KATE GASPS)
- (GARY GURGLES)
492
00:28:13,440 --> 00:28:14,500
(HORRIFYING MUSIC)
493
00:28:14,600 --> 00:28:16,600
(LAUGHS)
494
00:28:21,040 --> 00:28:22,900
- (KATE GASPS)
- (BODY THUDS)
495
00:28:23,000 --> 00:28:25,000
(GARY GURGLES)
496
00:28:26,600 --> 00:28:28,860
- (KATE WHIMPERS)
- (GARY GURGLES)
497
00:28:28,960 --> 00:28:31,660
Ohhh!
498
00:28:31,760 --> 00:28:34,180
(KATE WHIMPERS)
499
00:28:34,280 --> 00:28:36,300
- What the...
- ANTON: L-listen.
500
00:28:36,400 --> 00:28:39,820
He said there's a...
a mining camp to the south.
501
00:28:39,920 --> 00:28:40,980
Can you walk?
502
00:28:41,080 --> 00:28:42,060
No.
503
00:28:42,160 --> 00:28:44,740
OK, go find a place to hide.
504
00:28:44,840 --> 00:28:46,700
- No.
- I'll go and look for help.
505
00:28:46,800 --> 00:28:48,580
Wait! Here.
506
00:28:48,680 --> 00:28:50,060
No, no, no, no, please, please!
507
00:28:50,160 --> 00:28:52,580
- You'll be alright, yes.
- Please, no.
508
00:28:52,680 --> 00:28:54,740
- Yes. Take it!
- Please! (WHIMPERS)
509
00:28:54,840 --> 00:28:56,020
ANTON: I'll be back.
510
00:28:56,120 --> 00:28:58,120
I'll be back!
511
00:28:58,680 --> 00:29:01,060
(KATE SOBS)
512
00:29:01,160 --> 00:29:03,980
(INTENSE MUSIC)
513
00:29:04,080 --> 00:29:06,260
Oh, my God!
514
00:29:06,360 --> 00:29:09,440
(CRIES AND GROANS)
515
00:29:17,480 --> 00:29:19,480
(GROANS)
516
00:29:25,600 --> 00:29:29,140
(INTENSE MUSIC)
517
00:29:29,240 --> 00:29:31,340
(MUSIC FADES)
518
00:29:31,440 --> 00:29:34,040
- (INSECTS CHIRP)
- (ANTON BREATHES HEAVILY)
519
00:29:39,200 --> 00:29:41,920
(UNSETTLING MUSIC)
520
00:29:48,920 --> 00:29:50,920
(GROANS)
521
00:29:53,680 --> 00:29:56,360
(GROANS)
522
00:30:00,680 --> 00:30:02,680
(ANTON GRUNTS)
523
00:30:05,280 --> 00:30:08,520
(ELECTRICAL PULSING)
524
00:30:18,920 --> 00:30:20,920
PAUL: I know why now.
525
00:30:22,720 --> 00:30:24,460
Why it was built.
526
00:30:24,560 --> 00:30:25,620
(SWITCH CLICKS)
527
00:30:25,720 --> 00:30:27,060
Why we're here.
528
00:30:27,160 --> 00:30:29,700
Genesis -
"Come, let us build a city
529
00:30:29,800 --> 00:30:33,120
"with a tower that reaches
for the heavens..."
530
00:30:35,400 --> 00:30:37,940
"..that we make a name
for ourselves."
531
00:30:38,040 --> 00:30:42,680
(HIGH-PITCHED TONES)
532
00:30:47,400 --> 00:30:49,400
You'll see.
533
00:30:49,760 --> 00:30:51,760
You'll hear.
534
00:30:53,840 --> 00:30:55,920
And once you've heard...
535
00:30:57,160 --> 00:31:00,120
(UNEARTHLY VOCALISATIONS)
536
00:31:01,360 --> 00:31:03,360
(SOFTLY) It is in me.
537
00:31:04,080 --> 00:31:05,980
(UNEARTHLY SIGHING)
538
00:31:06,080 --> 00:31:09,140
(SACRED SONG)
539
00:31:09,240 --> 00:31:11,240
It is in me.
540
00:31:13,640 --> 00:31:16,400
Do you understand?
I can feel it.
541
00:31:19,560 --> 00:31:23,260
For that is the sacrifice
to see God.
542
00:31:23,360 --> 00:31:26,180
(UNSETTLING MUSIC)
543
00:31:26,280 --> 00:31:28,180
To know God.
544
00:31:28,280 --> 00:31:31,360
(SACRED SONG)
545
00:31:38,680 --> 00:31:43,480
Judges 13:22.
546
00:31:47,120 --> 00:31:49,020
"'We must surely die,'
547
00:31:49,120 --> 00:31:52,540
"said Manoah to his wife,
548
00:31:52,640 --> 00:31:55,660
"'for we have seen GOD!'"
549
00:31:55,760 --> 00:31:57,960
(TERRIFYING MUSIC)
550
00:32:02,360 --> 00:32:05,040
(KATE GRUNTS REPEATEDLY)
551
00:32:10,960 --> 00:32:13,400
- (SACRED SONG)
- (KATE GRUNTS)
552
00:32:33,160 --> 00:32:36,400
- (SACRED SONG CONTINUES)
- (STATIC THRUMS)
553
00:32:43,400 --> 00:32:45,180
(INTENSE MUSIC)
554
00:32:45,280 --> 00:32:48,780
(MUSIC FADES)
555
00:32:48,880 --> 00:32:52,020
(DISORIENTING SOUNDSCAPE)
556
00:32:52,120 --> 00:32:53,460
(KATE CRIES OUT)
557
00:32:53,560 --> 00:32:54,980
(MILLIE CHOKES)
558
00:32:55,080 --> 00:32:57,480
(FRIGHTENING MUSIC)
559
00:33:00,880 --> 00:33:03,800
(KATE BREATHES HEAVILY)
560
00:33:06,040 --> 00:33:08,460
(LAUGHS) I'm sorry.
561
00:33:08,560 --> 00:33:10,700
(MILLIE CHOKES)
562
00:33:10,800 --> 00:33:13,700
(KATE LAUGHS) Do you understand?
563
00:33:13,800 --> 00:33:15,140
I'm gonna live.
564
00:33:15,240 --> 00:33:17,400
(BREATHES HEAVILY)
565
00:33:25,840 --> 00:33:27,840
(CRIES OUT)
566
00:33:33,960 --> 00:33:36,440
I didn't want any of this.
567
00:33:37,840 --> 00:33:39,840
Sorry. I'm sorry.
568
00:33:43,200 --> 00:33:45,640
(WHIMPERS AND CHOKES)
569
00:33:58,680 --> 00:34:00,680
(WHIMPERS AND CHOKES)
570
00:34:03,280 --> 00:34:04,660
Ready to go home, sweetie?
571
00:34:04,760 --> 00:34:06,220
- Mm-hm.
- (ALARM BEEPS)
572
00:34:06,320 --> 00:34:09,740
ANNOUNCEMENT: Code orange.
All trauma staff to room 301.
573
00:34:09,840 --> 00:34:11,020
What... what's going on?
574
00:34:11,120 --> 00:34:12,940
Dad, stay with her.
575
00:34:13,040 --> 00:34:15,500
This is a code orange.
576
00:34:15,600 --> 00:34:17,260
MAN: Let's clear the hallways,
ladies and gentlemen.
577
00:34:17,360 --> 00:34:20,340
- It's a code orange.
- (ALARM BEEPS)
578
00:34:20,440 --> 00:34:22,180
MAN: Out of the way, everybody.
This is an emergency.
579
00:34:22,280 --> 00:34:23,620
It's a code orange.
Clear the hallways.
580
00:34:23,720 --> 00:34:25,420
- Excuse me, coming through.
- MAN: Yep, Michelle, let's go.
581
00:34:25,520 --> 00:34:27,520
Yeah, let's keep moving.
582
00:34:30,480 --> 00:34:32,620
(GEORGIA GASPS)
583
00:34:32,720 --> 00:34:36,180
(MILLIE CHOKES)
584
00:34:36,280 --> 00:34:39,680
(BUTTONS BEEP)
585
00:34:40,960 --> 00:34:41,980
ELLE: Uh-huh, she's missing.
586
00:34:42,080 --> 00:34:44,400
My boss. Detective Inspector
Millie Farah.
587
00:34:45,600 --> 00:34:47,420
Yes, that one.
588
00:34:47,520 --> 00:34:50,380
She went for a smoke outside
the Fox and Lion pub.
589
00:34:50,480 --> 00:34:51,500
Copier's busted.
590
00:34:51,600 --> 00:34:53,060
You need a code.
591
00:34:53,160 --> 00:34:55,300
No, listen,
she hasn't gone home.
592
00:34:55,400 --> 00:34:56,740
We've checked.
593
00:34:56,840 --> 00:34:57,820
I need a fuckin' what?
594
00:34:57,920 --> 00:35:00,300
We need as many units
as you can manage.
595
00:35:00,400 --> 00:35:01,780
Did you know about this?
596
00:35:01,880 --> 00:35:04,420
Photocopiers need codes now.
597
00:35:04,520 --> 00:35:07,140
I do appreciate
it's a difficult time of year,
598
00:35:07,240 --> 00:35:10,180
but can you just send some
uniforms to do a canvass?
599
00:35:10,280 --> 00:35:12,780
Better than nothing. Thanks.
600
00:35:12,880 --> 00:35:15,300
{\an8}- We need to circulate this.
- She'll be older.
601
00:35:15,400 --> 00:35:17,540
Oh, that's very astute of you.
It's a reference.
602
00:35:17,640 --> 00:35:20,500
Just, OK, listen, cool it on the
Kate Reynolds stuff for a sec.
603
00:35:20,600 --> 00:35:21,500
Why?
604
00:35:21,600 --> 00:35:22,540
ELLE: Because it's slim.
605
00:35:22,640 --> 00:35:24,660
It's a hunch.
606
00:35:24,760 --> 00:35:27,020
And because I'm trying to get
people to take this seriously,
607
00:35:27,120 --> 00:35:28,580
and claiming
that Millie's been taken
608
00:35:28,680 --> 00:35:31,660
by a woman everyone knows
is dead is not gonna help.
609
00:35:31,760 --> 00:35:34,060
Kate Reynolds is alive.
610
00:35:34,160 --> 00:35:35,900
With the utmost of respect
611
00:35:36,000 --> 00:35:37,700
to both of
your disgraced careers,
612
00:35:37,800 --> 00:35:40,580
you were institutionalised
and you should be.
613
00:35:40,680 --> 00:35:42,620
There's no evidence
that she's dead.
614
00:35:42,720 --> 00:35:45,060
Just because you can't prove
that someone is dead
615
00:35:45,160 --> 00:35:46,540
doesn't make them alive.
616
00:35:46,640 --> 00:35:48,640
(ELLE SIGHS)
617
00:35:49,880 --> 00:35:51,100
(ELLE SIGHS)
618
00:35:51,200 --> 00:35:53,500
Hey, you can't fucking smoke
in here!
619
00:35:53,600 --> 00:35:54,839
- GEORGIA: Oh, my God.
- MAN: This just came through.
620
00:35:54,840 --> 00:35:55,740
ELLE: Thanks.
621
00:35:55,840 --> 00:35:58,680
I'm gonna look at
the CCTV footage.
622
00:36:00,360 --> 00:36:03,700
God. It's like babysitting
enormous toddlers.
623
00:36:03,800 --> 00:36:04,700
(FOOTSTEPS APPROACH)
624
00:36:04,800 --> 00:36:06,800
You OK, sweetie?
625
00:36:08,320 --> 00:36:10,940
- Where have you been?
- How is she?
626
00:36:11,040 --> 00:36:13,120
She's in theatre.
We haven't heard anything yet.
627
00:36:14,120 --> 00:36:16,120
Listen,
I need to tell you something.
628
00:36:17,680 --> 00:36:21,240
In 1950, there was
a ritual murder-suicide.
629
00:36:24,440 --> 00:36:26,560
CHARLIE: Uh, it's... not pretty.
630
00:36:27,560 --> 00:36:29,560
We'll know more soon.
631
00:36:30,040 --> 00:36:31,500
Right now,
we've got all resources
632
00:36:31,600 --> 00:36:33,180
out looking for Kate Reynolds.
633
00:36:33,280 --> 00:36:34,740
She's covered in blood.
She's alone.
634
00:36:34,840 --> 00:36:38,280
So, you know,
we'll... uh, we'll find her.
635
00:36:42,640 --> 00:36:45,520
I just wanna know
how the fuck this happened.
636
00:36:47,880 --> 00:36:49,880
Reynolds had help.
637
00:36:53,960 --> 00:36:55,980
This isn't one person,
this is a group.
638
00:36:56,080 --> 00:36:59,160
- What are you talking about?
- This is a occult group.
639
00:37:00,160 --> 00:37:03,340
In 1950, there was a woman
named Harriet Clay,
640
00:37:03,440 --> 00:37:06,060
a ritual murder-suicide.
641
00:37:06,160 --> 00:37:07,900
It was the same thing
as out at Parrish Station.
642
00:37:08,000 --> 00:37:08,980
The piles of stone.
643
00:37:09,080 --> 00:37:11,260
- 'The Bone Gospel'.
- 'The Bone Gospel'?!
644
00:37:11,360 --> 00:37:13,340
I don't know what the connection
is, but there will be one.
645
00:37:13,440 --> 00:37:14,780
(CHARLIE YELLS) Fuckin' hell!
646
00:37:14,880 --> 00:37:17,580
Farah might die.
Do you understand that?!
647
00:37:17,680 --> 00:37:21,120
The kid might die and you're
still on about this shit.
648
00:37:22,160 --> 00:37:23,940
And she's been slit
from ear to ear
649
00:37:24,040 --> 00:37:25,380
by the woman you were so sure
650
00:37:25,480 --> 00:37:27,460
was just a victim
of circumstance.
651
00:37:27,560 --> 00:37:28,940
And only you could see that, right?
652
00:37:29,040 --> 00:37:32,420
'Cause everyone else around you,
all of us, we were too stupid.
653
00:37:32,520 --> 00:37:33,780
Is that right?
654
00:37:33,880 --> 00:37:35,880
Oh, the fuckin' arrogance
on you.
655
00:37:40,440 --> 00:37:42,680
- If you want to find her...
- What I want!
656
00:37:46,960 --> 00:37:48,960
I want you gone.
657
00:37:50,840 --> 00:37:52,840
Tony?
658
00:37:56,640 --> 00:37:58,640
I want you gone.
659
00:37:59,320 --> 00:38:00,500
Alright, you take Frankie
660
00:38:00,600 --> 00:38:02,740
and fuck off.
661
00:38:02,840 --> 00:38:04,340
(FOOTSTEPS RECEDE)
662
00:38:04,440 --> 00:38:06,440
TONY: Come on, love. Come on.
663
00:38:13,800 --> 00:38:15,300
So she takes the podcaster
664
00:38:15,400 --> 00:38:17,140
because he's spouting
all this shit about her.
665
00:38:17,240 --> 00:38:19,100
ELLE: Bit of an overreaction,
don't you think?
666
00:38:19,200 --> 00:38:20,860
He spouts shit about you
on that podcast.
667
00:38:20,960 --> 00:38:22,980
Do you see yourself gutting him
for that?
668
00:38:23,080 --> 00:38:24,820
No, but I'm not insane.
669
00:38:24,920 --> 00:38:27,580
Nine out of 10 doctors disagree.
670
00:38:27,680 --> 00:38:28,900
But why Finch and Wallace?
671
00:38:29,000 --> 00:38:32,580
I mean, why does she take
a uni student
672
00:38:32,680 --> 00:38:34,880
and a 50-year-old con man?
673
00:38:36,080 --> 00:38:38,080
It's not her.
674
00:38:39,040 --> 00:38:42,660
Maybe there's some connection
from her new life.
675
00:38:42,760 --> 00:38:44,780
She's gotta be doing something
the last 37 years, right?
676
00:38:44,880 --> 00:38:46,880
GEORGIA: Yeah.
677
00:38:49,600 --> 00:38:52,200
Oh. You're over here now.
678
00:38:53,240 --> 00:38:55,240
Nice.
679
00:38:55,760 --> 00:38:57,300
Ooh. Wait there.
680
00:38:57,400 --> 00:38:59,400
- Just rewind that.
- (MOUSE CLICKS)
681
00:39:00,280 --> 00:39:02,280
- Stop.
- (MOUSE CLICKS)
682
00:39:03,640 --> 00:39:05,540
That van.
683
00:39:05,640 --> 00:39:07,140
You think Reynolds
could have been using a van
684
00:39:07,240 --> 00:39:09,140
to move those people round?
685
00:39:09,240 --> 00:39:10,900
The time's correct.
686
00:39:11,000 --> 00:39:12,980
What's that on the side
of the van?
687
00:39:13,080 --> 00:39:15,460
(UNSETTLING MUSIC)
688
00:39:15,560 --> 00:39:17,460
That's a street kitchen van
from the church.
689
00:39:17,560 --> 00:39:19,260
I've been in it.
690
00:39:19,360 --> 00:39:21,580
I know who Kate Reynolds became.
691
00:39:21,680 --> 00:39:24,040
(SUSPENSEFUL MUSIC)
692
00:39:29,480 --> 00:39:31,720
(SUSPENSEFUL MUSIC CONTINUES)
693
00:39:35,840 --> 00:39:38,180
(FOOTSTEPS APPROACH)
694
00:39:38,280 --> 00:39:40,220
TONY: She's just gonna read
one last chapter, love,
695
00:39:40,320 --> 00:39:42,320
but she's nearly down.
696
00:39:43,280 --> 00:39:46,260
Hey, I thought I might, uh,
pop over to June's tonight.
697
00:39:46,360 --> 00:39:48,340
I don't have to if you need help
with Frank or company...
698
00:39:48,440 --> 00:39:50,540
It's fine, go.
699
00:39:50,640 --> 00:39:53,780
Alright, well, just make sure
you get some rest, eh?
700
00:39:53,880 --> 00:39:55,100
- Yeah.
- Yeah?
701
00:39:55,200 --> 00:39:57,200
'Cause you're looking
pretty wrecked, love.
702
00:39:59,600 --> 00:40:03,180
Hey, what Lockwood said
at the hospital, I mean...
703
00:40:03,280 --> 00:40:04,540
- Dad. Dad!
- He was angry.
704
00:40:04,640 --> 00:40:06,640
I'm fine.
705
00:40:10,080 --> 00:40:12,080
Yeah, righto, OK.
706
00:40:15,600 --> 00:40:17,600
(WHISPERS) Love you.
707
00:40:30,640 --> 00:40:32,640
(DOOR OPENS)
708
00:40:42,760 --> 00:40:44,760
GEORGIA: Hey.
709
00:40:45,280 --> 00:40:47,660
I'm sorry, Mum.
710
00:40:47,760 --> 00:40:49,760
Baby, what are you sorry about?
711
00:40:50,600 --> 00:40:52,780
Hey, you know that nothing
that happened today -
712
00:40:52,880 --> 00:40:54,660
absolutely nothing of that -
713
00:40:54,760 --> 00:40:56,180
was your fault.
714
00:40:56,280 --> 00:40:58,280
I spoke to her.
715
00:40:58,840 --> 00:40:59,860
You spoke to who?
716
00:40:59,960 --> 00:41:02,160
The lady in the hospital.
717
00:41:03,800 --> 00:41:06,740
The lady...
The lady that hurt Millie?
718
00:41:06,840 --> 00:41:09,220
(UNSETTLING MUSIC)
719
00:41:09,320 --> 00:41:11,460
Frankie?
720
00:41:11,560 --> 00:41:13,940
- Was it that lady?
- I'm sorry.
721
00:41:14,040 --> 00:41:16,040
No, no, no, it's OK,
you're not in trouble, but...
722
00:41:17,080 --> 00:41:19,080
Hey, this is important.
723
00:41:19,880 --> 00:41:21,880
What did you speak about?
724
00:41:25,840 --> 00:41:28,300
Frankie, what did you
speak about?
725
00:41:28,400 --> 00:41:30,440
FRANKIE: She said she was
going to be OK.
726
00:41:32,360 --> 00:41:34,500
Why was she gonna be OK?
727
00:41:34,600 --> 00:41:36,940
'Cause it... he was going to
make her OK.
728
00:41:37,040 --> 00:41:39,980
He was going to fix her.
She just had to get it out.
729
00:41:40,080 --> 00:41:41,620
Who was gonna fix her?
730
00:41:41,720 --> 00:41:43,820
The man with the special book.
731
00:41:43,920 --> 00:41:47,080
(SUSPENSEFUL MUSIC)
732
00:41:53,480 --> 00:41:55,480
Where are we going?
733
00:41:59,600 --> 00:42:01,600
Are we going to see the lady?
734
00:42:04,240 --> 00:42:06,260
I don't want to see the lady.
735
00:42:06,360 --> 00:42:08,360
She's wrong.
736
00:42:09,920 --> 00:42:11,920
Yeah, why is that, poss?
737
00:42:24,960 --> 00:42:26,700
(ENGINE STOPS)
738
00:42:26,800 --> 00:42:28,180
(HANDBRAKE ENGAGES)
739
00:42:28,280 --> 00:42:30,060
(KEYS JANGLE)
740
00:42:30,160 --> 00:42:32,160
You're gonna stay in the car,
OK?
741
00:42:33,640 --> 00:42:35,640
Promise me.
742
00:42:37,040 --> 00:42:42,680
OK, I've got 11:29
and 34, 35, 36.
743
00:42:43,720 --> 00:42:46,240
You got that? OK.
744
00:42:51,240 --> 00:42:52,460
(CAR DOOR THUDS)
745
00:42:52,560 --> 00:42:55,680
(UNSETTLING MUSIC)
746
00:43:01,480 --> 00:43:02,700
(DOORBELL CHIMES)
747
00:43:02,800 --> 00:43:04,800
(KNOCKS)
748
00:43:13,080 --> 00:43:15,840
(UNSETTLING MUSIC)
749
00:43:31,960 --> 00:43:35,200
(INDISTINCT VOICES IN DISTANCE)
750
00:43:39,640 --> 00:43:43,100
(WOMAN WAILS)
751
00:43:43,200 --> 00:43:46,960
(MAN INTONES)
752
00:43:48,840 --> 00:43:52,440
- (OTHERS JOIN IN CHANT)
- (WOMAN SOBS)
753
00:43:53,760 --> 00:43:58,160
- (CHANT CONTINUES)
- (WOMAN WAILS)
754
00:43:59,880 --> 00:44:02,640
- (CHANT CONTINUES)
- (WOMAN WAILS)
755
00:44:05,360 --> 00:44:07,360
(KATE WAILS)
756
00:44:08,720 --> 00:44:11,440
- (CHANT CONTINUES)
- (KATE WAILS)
757
00:44:13,600 --> 00:44:14,980
Let her go!
758
00:44:15,080 --> 00:44:19,020
(CHANT CONTINUES)
759
00:44:19,120 --> 00:44:20,300
Let her go!
760
00:44:20,400 --> 00:44:21,420
KATE: Kill me!
761
00:44:21,520 --> 00:44:24,500
(SOBS) You have to kill me!
762
00:44:24,600 --> 00:44:27,340
- (KATE WAILS)
- Let her go!
763
00:44:27,440 --> 00:44:29,920
(CHANT CONTINUES)
764
00:44:31,440 --> 00:44:35,020
- (KATE SCREAMS)
- (CHANT CONTINUES)
765
00:44:35,120 --> 00:44:36,700
- (GUNSHOT)
- (CHANTS STOP)
766
00:44:36,800 --> 00:44:39,280
(KATE WAILS)
767
00:44:42,520 --> 00:44:44,420
(KATE SCREAMS)
768
00:44:44,520 --> 00:44:48,540
(CALLUM INTONES)
769
00:44:48,640 --> 00:44:50,140
Go home, Cooke.
770
00:44:50,240 --> 00:44:52,240
This is not for you.
771
00:44:53,000 --> 00:44:54,020
Go home.
772
00:44:54,120 --> 00:44:58,440
Arggh!
773
00:45:00,680 --> 00:45:02,700
(FIRES TWO SHOTS)
774
00:45:02,800 --> 00:45:03,700
(CALLUM GROANS)
775
00:45:03,800 --> 00:45:06,120
(KATE WAILS)
776
00:45:07,480 --> 00:45:08,740
FRANKIE: Mum?
777
00:45:08,840 --> 00:45:09,940
(GEORGIA GASPS)
778
00:45:10,040 --> 00:45:12,380
(DISTURBING MUSIC)
779
00:45:12,480 --> 00:45:14,100
- Ugh!
- Mum!
780
00:45:14,200 --> 00:45:15,900
Get the child!
781
00:45:16,000 --> 00:45:18,640
Bring me the child!
782
00:45:34,760 --> 00:45:37,520
(DISTURBING MUSIC)
783
00:45:51,760 --> 00:45:54,200
(ANTON GASPS AND GROANS)
784
00:45:56,400 --> 00:45:58,440
(CHOKES)
785
00:46:01,320 --> 00:46:03,460
(GRUNTS)
786
00:46:03,560 --> 00:46:05,560
(GRUNTS)
787
00:46:08,440 --> 00:46:10,920
(GASPS)
788
00:46:17,360 --> 00:46:19,760
(UNSETTLING MUSIC)
789
00:46:26,960 --> 00:46:29,100
(COUGHS WEAKLY)
790
00:46:29,200 --> 00:46:32,360
(DISTURBING MUSIC)
791
00:46:47,280 --> 00:46:49,280
(GRUNTS)
792
00:46:52,760 --> 00:46:56,560
Arggh!
793
00:46:58,320 --> 00:47:02,240
(CRIES OUT)
794
00:47:04,520 --> 00:47:07,840
(MILLIE WHEEZES AND GROANS)
795
00:47:13,360 --> 00:47:16,140
(GROANS)
796
00:47:16,240 --> 00:47:19,740
(YELLS)
797
00:47:19,840 --> 00:47:21,840
(MILLIE'S YELL ECHOES)
798
00:47:23,720 --> 00:47:26,440
(ENIGMATIC MUSIC)
799
00:47:51,960 --> 00:47:54,320
(UNSETTLING MUSIC)
800
00:48:28,600 --> 00:48:29,520
(DISTURBING MUSIC)
801
00:48:29,570 --> 00:48:34,120
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